Aaronovitch, Ben: (04) Broken Homes

The urban fantasy book I needed a palate cleanser before reading was Broken Homes, the next book in Ben Aaronovitch’s Rivers of London series. It won’t be out in the U.S. until February 2014, but I bought a U.K. edition.

Plot is not the strong point of these, but this one’s seemed a little shaggier to me than usual—slower to develop, only loosely fitting into the shape of the book, and maybe relying a bit much on Peter being an idiot. However, there’s good stuff with the Rivers, and further developments that support my thesis that the long game of the series is magic coming back and coming out, and Peter is always fun to spend time with.

All that said, on the whole I find myself extremely apprehensive over the direction of the series, to the point where I think I will have Chad read the next one first and tell me if I should read it. Fortunately for the rest of you, this reaction is fairly personal, more about my emotional attachments than an objective assessment of quality. Unfortunately for the rest of you, you’ll have to read the book to know what I’m talking about, because there’s really nothing else I can say about it here. Sorry.

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Westlake, Donald E.: (05) Why Me?

After the Dresden Files, I needed a palate cleanser before I went on to another urban fantasy book, so I returned to the world’s slowest Donald E. Westlake Memorial Dortmunder Re-Read. Why Me? is the one where Dortmunder accidentally steals a ruby ring that gets everyone, and I do mean everyone, out for his blood.

This is the book that introduces Stoon—though, as I recall, we never actually meet Stoon, he’s always the hope that falls through and requires Dortmunder to deal with Arnie. It has more slurs than usual thanks to the POV of Chief Inspector Mologna, another to-be-recurring character. It’s also the book with Dortmunder and Kelp’s phone adventures, by which I mean landline because it was written in the early 1980s. Oh, and it has one of the very few queer characters in any Dortmunder book—at least, right now I can’t think of any others—in Mologna’s gay assistant, who is stereotypically flamboyant but (1) highly competent and (2) possibly playing up the swish to get on people’s nerves.

Anyway, great fun, well into the stride of the series, and just what I needed.

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Butcher, Jim: (02-14) Fool Moon through Cold Days

I am skipping past the rest of the Discworld re-read (and a bunch of other things) to get to some books while they are still reasonably fresh. First up is my marathon Dresden Files read: from the second book, Fool Moon, all the way to the most recent, Cold Days.

Some of you are now giving your screens weird looks and asking, “Kate, why on Earth did you read all of these? They are so not your thing.” I know this because Chad did the exact same thing, only in person. All I can say is, beware of reading fanfic for sources you haven’t read/watched! You’d think I’d have known better after I ended up watching all but one episode of Stargate Atlantis, but then I managed to avoid watching any of Merlin and Teen Wolf, so I thought I was safe. . . . until I found myself wanting some context for the stories I was reading, and a lot of my friends read them so I’d be able to participate in those conversations, and they didn’t sound very demanding so they’d probably go fast . . .

Anyway. For a while this worked reasonably well. I was bulling through them at high speed, so I can’t even match events to titles for most of them. I do remember that Fool Moon is pretty bad, with a distinct air of “I have suffered for my research into every single possible kind of werewolf, and now so must you.” But Harry’s horrible “don’t tell women potentially life-saving information because chivalry!” thing does go away pretty early—hilariously, his subconscious literally manifests to yell at him about it—and he does grow up some in other ways, too (I can’t remember which book it is, but there’s a bit where he thinks that once he would have tried to blow a door up, and now he’s going to use magic to remove its hinges). While I was aware that there were some unpleasant things going on, I could mostly skate over them while watching magical pyrotechnics and Harry getting the shit beat out of him and admiring Harry’s friends and acquaintances (who generally deserve a better protagonist than him).

And then Changes happened, and all the things I was skating over and had been glad to leave behind came crashing down, only worse. Women as a fuel for Harry’s manpain; Harry’s impulsiveness and self-destructiveness; and all the Madonna/whore, sex-negative, Puritan rape culture stuff the books have going (Exhibit A: the White Court). Ghost Story was okay, kind of disjointed and rather anti-climatic in some senses, but Cold Days was a ball of do-not-want. It was all the things I did not like about Changes, plus way, way too much of Harry finding it so difficult not to rape and murder all the time—I wanted to reach through the page and say, “Here, have your goddamn cookie, already”—and then an ending that promises even more ickiness in store next time.

So if you’re in the mood for some fast-paced snarky urban fantasy, well, you should read Midnight Riot. But if you must read these, stop with whatever book is before Changes. Me, I will probably rely on other people’s reports to see what happens; I suppose it’s possible Butcher might get out of the current situation in some interesting way, but then again, the endgame of the series is apparently “a 3-book apocalyptic trilogy”, and I’m not sure I want to see Harry in an apocalypse. On the other hand, I’d originally misread that as post-apocalyptic, which I definitely do not want, so it could be worse.

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